Sarah Meneely-KyderComposer/Pianist

Upcoming Events

November 11, 2016 (Friday) • 8:00 pm
Asylum Hill  Congregational Church
814 Asylum Avenue, Hartford
“When Johnny Comes Marching Home” (movement 12 of Letter from Italy, 1944)
May 4, 2017 (Thursday) • 7:30 pm
The Bushnell Center for the Performing Arts
166 Capitol Ave, Hartford, CT
Letter from Italy, 1944 second performance
with The Greater Middletown Chorale and the Hartford Chorale

Brief Biography

Composer/pianist Sarah Meneely-Kyder (b. 1945) is a graduate of Goucher College, Peabody Conservatory and Yale University. Her composition teachers have included Robert Hall Lewis, Earle Brown and Robert Morris. In the years following her formal education in the Western musical tradition, she studied the North Indian sitar and was eventually initiated by Roop Verma, a student of world-renowned sitarist, Ravi Shankar. She has also studied the South Indian veena. As a composer, most notable are those works that fuse disparate musical traditions into single pieces. Numerous choral works have been performed by respected choral organizations throughout Greater New England. In April of 2013, she premiered her large-scale oratorio Letter from Italy, 1944 to a sold-out house, with a strikingly enthusiastic audience response. This composition was the inspiration for a filmed documentary by Karyl Evans, narrated by Meryl Streep.

A member of American Composers Alliance, and a founding member of Connecticut Composers, Inc., her creative endeavors have been rewarded with several grants and prizes including Yale University’s Rena Greenwald Memorial Prize and several Artist Project Grants from the Connecticut Commission on the Arts.

Meneely-Kyder has done two recordings for CD on the North/South Recordings label, the second of which was nominated for a Grammy in 2003. She is published in the Dictionary of Contemporary Music, edited by John Vinton, and she has an entry on her music in the revised edition of Baker’s Biographical Dictionary, edited by Nicholas Slonimsky. As a pianist, she is most interested in the performance of contemporary music, with specialization in 20th century American music. She was praised by Kyle Gann, critic for the Village Voice, for a performance of a work by Alvin Lucier, noted exponent of sonic art. She has performed with the New London Contemporary Ensemble, the Nutmeg Chamber Ensemble, and at Wesleyan University, where for 22 years she has served on the faculty as an instructor of composition, piano, and chamber music.